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Destruction of Art in Afghanistan : ウィキペディア英語版 | Destruction of Art in Afghanistan
Afghanistan is uniquely situated as a throughway of cultures throughout its history due to it geographic placement in South Asia. Afghanistan's location lends porous borders to trade routes between the East and West, while the Silk Road providing a vector for Buddhism and Hellenistic culture and even Egyptian influences from the west, renders an amalgamation of culture and art. Perpetual invasion and conflict has rendered a cyclic continuum of renaissance and destruction of art and culture in Afghanistan. ==Historicity of Afghanistan's art==
Much of Afghanistan’s art can be traced back through the invasions, occupations and dynasties that so frequently have ravaged the country. Afghanistan has been a crossroads of cultures that make up the colorfully robust and dynamic foundation of Afghan art. These civilizations include, but are not limited to the empires and kingdoms that comprise Afghanistan’s political origins as a modern state. The more renowned, larger regional empires include the Achaemenid Empire, the Macedonian Empire, the Indian Maurya Empire, the Islamic Empire and the Sassanid Empire. Like the empires, Afghanistan’s transient and nomadic kingdoms and dynasties that rose to power (see Greco-Bactrians, Kushans, Hephthalites, Kabul Shahis, Saffarids, Samanids, Ghaznavids, Ghurids, Kartids, Timurids, Mughals, Hotaki dynasty and Durrani dynasty), helped shape the development of Afghan art as well as its preservation and destruction.
抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)』 ■ウィキペディアで「Destruction of Art in Afghanistan」の詳細全文を読む
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